An Early History of Goth
This site is an attempt to give an outline of the beginnings of the goth movement, between 1979 and 1984. It's also an attempt to shed some light on generally unanswerable questions such as When did goth start?, Why did it get called goth? etc.
(and for those of you who are wondering, I've written a brief introductory guide to what is goth?)
This site has now become a historical document in itself, as it's been
around since 1998 and as far as I am aware was the first serious in-depth attempt at an online history of the
early 80s goth scene. As such, it's been used by a lot of people as a basis for their own work on the scene, and
has been extensively quoted online and in print. So much so that people sometimes quote people who've quoted me (and so on)
without realising where the original quote came from.
Despite that, this site is
still Work In Progress, and comments, suggestions,
information and corrections are still welcome, especially if you've got
information or insight into the early scene. So please feel free
to mail me. Most of the chronological
information on this site is gleaned from George Gimarc's
invaluable Punk and Post-Punk diaries, with additional
information from Mick Mercer (and his Gothic Rock books), old
copies of NME/Sounds/Melody Maker, my record collection, my very
fallible memory and various people on the net. Huge thanks to all
of them, and especial thanks to Bob for doing the Cascading Style Sheets version, Hatty for the Zig Zag article, and
to Greylock for the Positive Punk article. The Post-Punk Landscape The years in which the goth movement originated (roughly 79-83)
were extremely interesting and diverse musically. As well as the
punk splinter groups (the Oi! and Anarcho movements), there was
the Ska revival, the Mod revival, the New Wave of British Heavy
Metal, the fledgling Industrial sound, the so-called
"Futurist" movement, New Romantic, Psychobilly and a
bewildering array of "post-punk" bands. Out of this
peculiar mixture, the early goth bands gradually emerged. Of
course, at first they weren't termed "goth" bands,
though some of them were referred to as "gothic" in
musical style as early as 1979. A long and rather inconclusive discussion on how they came
to be referred to as goth can be found on the name page. The Early Scene For anyone who considers the Sisters of Mercy, Fields of
the Nephilim and the Mission to be the archetypal goth bands, the
early scene is a rather strange place. The early goth bands were,
for the most part, much punkier and livelier, and at one stage
were referred to as "Positive
Punk". A brief discussion on goth's relation to
punk can be found on the punk
page. In the early years the dominant goth bands were not the
Sisters, but UK Decay, the Banshees and Bauhaus, and a
discussion on their relative importance in the early scene can be
found on the bands
page. Another common misconception about the early goth scene is
that it was closely tied to New Romantic. Whilst it had very
loose ties with the (nebulous) Futurist scene, the early goth scene
had very little to do with New
Romantic.